31. Musical Motif-Space and Creative Field of Inner Hearing
Subject of Study 6
Scientifically Studying the Universal Intuitive Harmony-Potential of
UNIVERSAL CONSCIOUSNESS – the Integration of Universal Cognition & Creation – within
the Universal Coordination of our Inner Cosmic Hearing Ability with our Evolutionary
Ability of Cosmic Intellectual Understanding –
the Harmony of Heaven and Earth – the Integration of the Flying and the
Walking Aspect of the Dragon –
Through the Integration of the Field of Knowledge of the Musical
Tone-Space and the Field of Knowledge of our Hearing
During / by the Integrated Analysis and Synthesis of the Sound
Seminar Series
The mechanics of the basic sound at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the overtone spectrum of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the periodic vibration of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the vibration sequence of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the aperiodic vibration of the sound at the transition from
the field of knowledge of our hearing to the field of knowledge of the musical
motif-space
The mechanics of the attack of the sound at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the decay of the sound at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The overtone mechanics the sound at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the vowel at the transition from the field of knowledge of our
hearing to the field of knowledge of the musical motif-space
The mechanics of the formants at the transition from the field of knowledge of
our hearing to the field of knowledge of the musical motif-space
The mechanics of the unvoiced consonant at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the voiced consonant at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the sound of the combination of consonant and vowel at
the transition from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
Eigenfunction of the sound of the combination of vowel and consonant at
the transition from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
Eigenfunction of the voiced consonant at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the unvoiced consonant at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the formants at the transition from the field of knowledge of
our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the vowel at the transition from the field of knowledge of our
hearing to the field of knowledge of the musical motif-space
Eigenfunction of the overtone mechanics of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the decay of the sound at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the attack of the sound at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the aperiodic vibration of the sound at the transition from
the field of knowledge of our hearing to the field of knowledge of the musical
motif-space
Eigenfunction of the vibration sequence of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the periodic vibration of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the overtone spectrum of the sound at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the basic sound at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space